A Brief Guide to Modernismo - Modernismo began in Latin America in its birth to the publication of Nicaraguan poet Rubén Darío's book Azul. Rubén Darío, pseudonym of Félix Rubén García Sarmiento, (born January 18, As a leader of the Spanish American literary movement known as Modernismo. This paper takes into consideration Rubén Darío's concept of Modernismo and tries to show how trends of modernity and Modernism can also.


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In the prose works in Azul he discarded the traditional long and grammatically complex Spanish sentence structure, replacing it with simple and direct language.

  • Rubén Darío | Nicaraguan writer |
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Both the prose and ruben dario modernismo in this volume are generally concerned with objective description, and both deal with exotic subjects, chiefly classical mythology, France, and Asia. Young writers there hailed him as their leader, and the modernist movement organized around him.

Modernismo | Latin American art |

He soon found himself quite successful, receiving official recognition all over the Latin world, where before as a youth he had been denied. He was appointed consulate in Colombia ruben dario modernismo the ambassador for Nicaragua, which would later rename his home town of Metapa to Ciudad Dario, in his honor.

As his fame grew, he eventually did make his ruben dario modernismo to Europe. Spain welcomed him as a diplomat and as the most celebrated artist of the New World. From there he was drawn naturally to Paris, the epicenter of art and poetry, where he came under the spell of the French symbolists.

Rubén Darío: A Father of Modernismo

This ruben dario modernismo a defining moment, both for Dario and for the movement he was leading. The modernismo movement was giving a new voice to Spanish artists while socially and politically redefining Latin America.

They were examining themselves and also looking to France for artistic queues: Baudelaire, Rimbaud and Verlaine top the list of influences. In December he headed ruben dario modernismo to Barcelona, where he lodged at General Zelaya's house.

Rubén Darío | Poetry Foundation

ruben dario modernismo In January he returned to Paris, where he entered a lengthy legal battle with the Guido brothers, who still owed him a large sum of money for the work he had done for them. By the end of he returned ruben dario modernismo Nicaragua.

He later resigned his diplomatic post and moved to Paris where he devoted himself to preparing new books, such as Canto a la Argentina.


At this point, his alcoholism caused him frequent health problems and psychological crises. His health began deteriorating enormously in the last few years of his life.

He reportedly suffered frequent hallucinations and became obsessed with the idea ruben dario modernismo death. The funeral lasted several days, and he was interred in the city's cathedral on February 13,at the base of the statue of Saint Paul near the chancel under a lion made of marble by the sculptor Jorge Navas Cordonero.

Rubén Darío - Wikipedia

In the first place, the romanticsparticularly Victor Hugo. Ruben dario modernismo final defining element of Darianian aesthetic is his admiration towards the symbolistsespecially Paul Verlaine.


In the section "Palabras Liminares" of Prosas Profanas he had already written a paragraph that reveals the importance of French culture in the development of ruben dario modernismo literary work: The old Spaniard with a white beard ruben dario modernismo towards a series of illustrious portraits: The predominance of French culture is more than evident.

Spanish themes are well represented in his work, already in Prosas profanas and, specially, after his second trip to Spain, in Conscious of contemporaneous Spanish decadence in politics and the arts a preoccupation he shared with the so-called Generation of '98he frequently was inspired by characters and elements of the past.

Regarding authors in other languages, it is worth mentioning that he felt a profound admiration towards three writers from the United States: He ushered Spanish-language poetry into the modern era by incorporating the aesthetic ideals and modern anxieties of Parnassiens and Symbolismas Garcilaso had infused Castilian verse with Italianate forms and spirit in the 16th century, transforming it forever.

In the first of these works his readings of Spanish classics is patent, as is the stamp of Victor Hugo.